These remnants, rotting keepsakes of words and pictures are mnemonically residual. They are scryed, interfaces utilizing misfired sigilings, systems of incomplete quasi-alchemical call-signs and proto-symbologies loosely based upon borrowed (and in some cases stolen) artificially charged devices. When assembled into specific schemas, this soft machinery marks as it contains, and thus constructs the Terminal House.
14.8.12
The White River of Forgetfulness
At the bank,
Down by,
This river,
So white,
Always forget,
Again,
The water gives,
Lotus
And delirium,
Again,
Pretend to be in love,
For reeds,
And thrasher sharks,
In shallows,
Hollow,
Close eyes,
Empty pockets,
With two coins,
By the bank of this river.
Down by,
This river,
So white,
Always forget,
Again,
The water gives,
Lotus
And delirium,
Again,
Pretend to be in love,
For reeds,
And thrasher sharks,
In shallows,
Hollow,
Close eyes,
Empty pockets,
With two coins,
By the bank of this river.
The House is Home
Pseudopodia of ectoplasmic elementals,
Rooting concrete with strange electricities,
And dead bolting doors with locks of exoskeletal bone.
Chords of see through tendrils burrow,
Rooting concrete with strange electricities,
And dead bolting doors with locks of exoskeletal bone.
Chords of see through tendrils burrow,
And bind,
Holding wooden beams in place,
And securing the limestone slab foundation.
Out of necessity,
Out of the need.
Influencing matter,
Bending will,
And the house is a home,
Forever and ever.
Holding wooden beams in place,
And securing the limestone slab foundation.
Out of necessity,
Out of the need.
Influencing matter,
Bending will,
And the house is a home,
Forever and ever.
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