These remnants, rotting keepsakes of words and pictures are mnemonically residual. They are scryed, interfaces utilizing misfired sigilings, systems of incomplete quasi-alchemical call-signs and proto-symbologies loosely based upon borrowed (and in some cases stolen) artificially charged devices. When assembled into specific schemas, this soft machinery marks as it contains, and thus constructs the Terminal House.
16.1.15
Time Catches Its Reflection
It came into me,
Like a cannibal,
And left me,
In a coma,
As I fell,
In circles,
Prodded by ticks,
And tocked by every prick,
Laying each sick second,
Out across epochs,
Drawn raw,
And spread red,
Time even hates itself,
Hates itself to death.
Like a cannibal,
And left me,
In a coma,
As I fell,
In circles,
Prodded by ticks,
And tocked by every prick,
Laying each sick second,
Out across epochs,
Drawn raw,
And spread red,
Time even hates itself,
Hates itself to death.
I Poet or Whore
You have always been part of this,
Immaculately lush to military measure,
And wrapped in opiates,
I arrive medicated,
Tapped me to blankness,
A vacuum of you,
Watching me,
Until I am dry again,
Defining my sanity,
Lay waste my armor,
You stab and shoot me,
I stand rabid,
Aching down to subtle body,
Tasting time,
And forced to breathe,
Just moments,
To unfold into the possible,
Proof of the little I offer this world,
Straining human evolution,
And closing the windows of time,
My new poems,
To my own throat,
A new weapon,
Your arsenal,
Bloated closets,
Of my maps and pages.
[Repurposed poetry/ a collaboration with Mr. Jimpers]
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