These remnants, rotting keepsakes of words and pictures are mnemonically residual. They are scryed, interfaces utilizing misfired sigilings, systems of incomplete quasi-alchemical call-signs and proto-symbologies loosely based upon borrowed (and in some cases stolen) artificially charged devices. When assembled into specific schemas, this soft machinery marks as it contains, and thus constructs the Terminal House.
The White River of Forgetfulness
At the bank, Down by, This river, So white, Always forget, Again, The water gives, Lotus And delirium, Again, Pretend to be in love, For reeds, And thrasher sharks, In shallows, Hollow, Close eyes, Empty pockets, With two coins, By the bank of this river.