These remnants, rotting keepsakes of words and pictures are mnemonically residual. They are scryed, interfaces utilizing misfired sigilings, systems of incomplete quasi-alchemical call-signs and proto-symbologies loosely based upon borrowed (and in some cases stolen) artificially charged devices. When assembled into specific schemas, this soft machinery marks as it contains, and thus constructs the Terminal House.
16.1.14
For False Heroes Who Fall Before Reaching the Battlefield
His hands,
Hard,
On his hilt,
Awkward,
And clumsy,
Probably drunk,
Probably in love,
He hit the ground dumb,
With his nice white silken shirt,
And polished leather boots,
And shiny shiny jeweled crown,
His horse even laughed.
28.11.13
The Resurrection of Roman Osric Grey (prologue, part I)
And onto
these tumorous remains,
And
malignancy and shunning and fungi,
And hatred
of all things touched by the light of the Earth’s STAR,
Tatters of
clothe and skin (hair and fingernails continued to grow),
I scalpel a
heart,
Still
beating (since last December),
Beneath four
stories of ice,
Decades of
self mutilation,
And
mildewed, wet, death dreams,
This is your
trilogy,
The drunken
Father,
The schizophrenic Son,
And the holy
Ghost (of your Mother).
I
destroy your burial seal,
A
powerful mark,
Binding
you to your grave,
Holding
you to the dirt and the dust,
The door
now forced wide open,
Your rambling
path cleansed,
All of
my breath,
All that
is left of me,
Pushed from
my mouth (my lips covering your lips),
Into the
black hole that use to be your mouth.
11.5.13
Returning
Barely beating,
Blind,
And Broke,
Heaving,
Heavy,
But hopeful,
This tick tocking,
Tacking,
React,
Retracting,
I will return.
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